DMV rapper LB199X chatted with Ahriel Nari for Real Mumbo about his upcoming EP Life Goes On. He talked about his recent radio success with his single “Something More”, interviewing with Rolling Stone, and navigating grief in the past year. Check out the full interview below:
By Ahriel Nari
Brooklyn-based artist Kenneth Cash is definitely someone that needs to be on everyone’s radar. Managed by hip-hop legend AKTHESAVIOR, Kenneth is forging his own lane with his unique brand of R&B. Although he only has four singles at this point, each song demonstrates his versatility. His newest single “Patience” is a melodic track in which Kenneth ruminates on whether to end a relationship that no longer serves him. The visual, shot by Waqas Ghani, is reminiscent of a home video, which accentuates Kenneth’s introspection in the lyrics. Check out the video below:
By Ahriel Nari
Reggie Becton is an artist that should be on everyone’s radar. Drawing inspiration from R&B legends including Marvin Gaye, Brandy, Avant, and Aaliyah, he is forging his own path by creating a perfect blend of classic R&B with new wave soul. I got the chance to chat with Reggie about his highly anticipated debut album California ahead of his upcoming tour:
Congratulations on your debut album! Your music career has been so amazing to watch over the past few years! You’ve been very consistent, dropping a new project every Fall! How would you say you’ve grown since releasing your first EP?
Staying consistent has allowed me to grow vocally. I’ve grown spiritually to even want to talk about certain things on songs which is super important. I think that in order for you to dig deep and really connect with people you have to give a piece of yourself. I feel like on this new album I gave so many pieces of myself. The biggest growth, though, was getting closer to the person that I’ve always envisioned myself being. I think with each of these projects, it’s allowed me to feel more comfortable and more confident to walk in that path. We all have this vision of this aura or version of our greatest self that we want to be but normally we’re just too afraid to actually do the things that’ll get you to the point to be that person. Each project has allowed me to get closer and closer to that person and just be a better person in general.
I was doing my research and saw that your last EP Thank You For Listenin’ is actually throw aways from your new album California. How long have you been working on California?
The oldest song on this project was written in 2018. That was when I was still working on Phases, which was my first EP. We just kept having a lot of false starts. Finally, three years later, we got it done. I think it’s the perfect one – it’s the perfect track listing. I love the 12 songs! I’m excited to sing the songs on the road. We got it just right. I’m so happy that it happened this way because it just shows you that everything happens for a reason.
So, California is about your move from PG County, Maryland to LA. How has living in California impacted you musically and personally?
No matter how comfortable I get here, there’s always a discomfort with having your entire family over 1,000 miles away. I think that allowed me to really be intentional with the progress and the steps I make out here. It made me hit the ground running and grind it out. I always remember that I came out here for a purpose.
Musically, the move impacted me so greatly because there’s so many people that are just passionate about music out here. They’re willing to work for passion. I was just talking to one of my managers, Edgar, like, “Yo, this project was made through a GoFundMe but it was a GoFundMe on passion.” Like, nobody charged me upfront for beats. We have a lot of really great producers on the project and people just did it out of the love and respect for my consistency. My past projects really went a long way for people to be like, “Yo, I just want to be a part of this. I see you and I feel like you’re on a path to greatness.” I think LA introduced me to so much more as far as my sound. It’s a lot more guitar driven with real instrumentation behind it. That’s the genius of Aidan Carroll, who executive produced the project. He comes from a jazz background and knows every instrument you can think of. He really helped hone the project in and add and fill in different places. He really pulled the project together.
I love your brand of R&B because your music is very raw. You talk about very real, relatable situations and get very vulnerable. For example, the song “Depresshun” on the new album you get very transparent about your depression and mental health. Do you ever feel hesitation to dive deep into these topics and how do you overcome that?
It’s crazy because with California, I had hesitation all the time. Any time I felt it, I ran against it. I decided I wasn’t gonna run away from it. So when I was writing “Depresshun” I was like I’m just gonna tell everyone what I need right now. I need therapy, I need some weed, I need a girl – I’m just gonna keep diving in. People have this thing where they think depression looks like something. You gotta not be getting your hair done. You gotta be dressing bad. You almost have to act sad for someone to want to check on you. I felt like it was time to make a song about depression that didn’t really feel depressed. Like I’m depressed but I’mma make it look good, make it look sexy. Chris Patrick and Shah Infinite did an awesome job of rounding out the song so perfectly. I love how on the song we all tackle our depression in different ways. I think it’s super powerful to have three Black men on a song singing/rapping about their depression and coming at it from different areas of life. It was a super special moment that I didn’t even expect to happen.
What was the most challenging aspect of making California for you?
The most challenging aspect of making the album was literally making the album. With EPs, they’re short. They’re like four songs. With the album, we recorded 30 songs. We recorded over what we needed for the album. Trying to monitor all of the phases of these songs and then finally putting all the pieces together is a lot. The stress of mixing, mastering, trying to write the songs, having enough recording time, being broke – all of those things made making the album the hardest part about making the album. Also, the pressure of it being called an album makes you feel like it has to be this super big thing.
What songs on California mean the most to you?
Alright, I’m just gonna name some stand out moments. I love the intro. That’s my brother talking at the end. It’s really special to me because that was a phone conversation that we had when I first moved to LA. I was complaining to him about getting people to do work for me. I think that it’s a perfect start for the album because that was at the beginning of my California journey. I love “Depresshun”. I love “Traffic”. I love how jazzy it is. To me, it’s a nice flavor to clean the palette. Then, I love the three-song run: “Amnesia, “E.T.G.M.E (Interlude)”, and “RM.143”. It’s the perfect sequencing – I love what those three do together. But I think my favorite song is “LOSERS”. It’s weird like I’m getting goosebumps because the songs I really love I didn’t think people would understand them, like “LOSERS” and “Scratches on the Mirror”.
Let’s circle back to the intro. That intro is so powerful! It’s a great statement piece to set the tone for the entire album. In it, you said, “I bare my soul to feed your spirit.” What are you hoping your fans and listeners take away from California?
I hope that they hear the music and it gets them through something. I try to write from the most vulnerable place to give people music that allows them to cope with their trauma and their toxic behavior. I want each song to be something that maybe you’re going through that you can’t put into words but now you have this fire song to sing along to. That’s what music does for me, personally. Sometimes, I’m going through something and I can’t really tell a friend how I’m feeling. Not because I don’t have anyone to talk to but because I can’t put it into words, I can’t formalize it. Then, sometimes a great songwriter comes and they talk about something from the same experience I’m going through. That makes me feel like, “Hey, I’m not the only person in the world that feels like this.” That was my inspiration for all these songs on California. Literally, I cried writing all these songs except for “So High” because I was high as fuck. But these songs allowed me to get a lot of emotional baggage out of my system.
You also dropped a super dope video for the lead single “Issues”! Tell me about the making of that visual.
“Issues” was cool because a lot of my friends got to be a part of it, which never typically happens. That was the first time we used a steady cam. So we felt a lil’ bougie! Shout out to Chris & Moy. They’ve directed every video of mine since Listenin’. It’s cool to keep working with the same collaborators and grow together as artists. We actually got to build the set. So, it was super fun to get our hands wet in set design. Fun fact: the food we ate in the dinner scene of the video was the most horrible food. My manager was like, “I’ll pick up some food from the store,” but she didn’t really have time to go to the store. So, she picked up these frozen dinners from her grandmother’s place. They’re all like low-cholesterol, sugar free, low-calorie dishes. So, they warmed them up for us and we were like, “This is disgusting.”
You’re going on tour soon with Grace Weber for The Beautiful Space Tour! How did you originally link up with her?
It’s crazy because I feel like this tour has been this large manifestation plot that started in like 2017. My first official manager, Rodney (shout out to him), was Grace’s tour manager. She was on tour with PJ Morton and when they did the LA stop, we went to go see them. I got to see Grace Weber perform and I was like, “Who is this lady that’s killing it?!” She did this awesome “We Found Love” mix with “We Fall Down” by Donnie McClurkin cover. It was a phenomenal show. So, Rodney introduced us. We kept in contact. Then at the beginning of the pandemic she asked me to be apart of this digital festival that she was doing. We did the digital festival and it was a great time. After that, I got this song sent to me from my executive producer Aidan Carroll. He didn’t really know what to do with the song. So, he asked me to put a verse on it which I did. Then, one day I woke up and was like, “I’m gonna send this to Grace to see if she would like it”. That song was “Ghost”. She loved it and did her verse on it. So that song led us to get closer as friends. Then finally this year she hit me like “Yo, you wanna come on tour with me?” I was like, “Hell yeah I wanna go on tour with you!”
Where will the tour be making stops?
We’re doing 9 cities – Milwaukee, Chicago, Atlanta, Houston, San Francisco, San Diego, LA, and New York. No DC show, so that saddens me but we’re planning something special for DC. We’re gonna come home.
What are you doing to prepare for the tour?
I’m doing the works — band rehearsal begins this week. I got a movement coach/choreographer. Now don’t expect no 8 counts just yet! But we’re getting some good movements for the show. I’m starting a diet today – you know you have to cut the sugar out, cut the salt out, strictly water to get ready. I’m still gonna eat but just eat a little healthier.
What can we expect next from Reggie Becton?
We have a video coming soon. There’s a video in the works for “E.T.G.M.E” and a video for “Obvious” in the works. We also are gonna do some live sessions.
California is available on all streaming platforms. You can purchase tickets to see Reggie live on The Beautiful Space Tour on Ticketmaster.